Portishead
Roseland NYC Live (PNYC)
Go! Beat/London, Released 1998

This album made me a believer. I used to be rather cynical about live albums. The singer throws in a new inflection here and there, maybe the guitar solo gets changed up a bit, but so what? You can't even see anything, for Chrissakes. But after PNYC blessed me with it's glorious melancholy elegance, I had a change of heart. I love the live album.

While Portishead's studio recordings, Dummy and Portishead, are positively enthralling, their live performance makes their blend of jazz, hip hop, and elements that can only be called Porisheadian sound like breathtaking new material. The moog is icier, the brass sharper, the scratching more fierce. The orchestra, which sounds like a low-key background effect on their studio albums, takes on a fully engaging, cinematic role, making you feel like you're a part of a 70's cult spy flick. And on "Mysterons," the uncontrolled orchestral climax is overwhelming. Enhancing and completing Portishead's beautifully cool sound is singer Beth Gibbons. Her delicate voice is even more revealing live, reflecting every bit of heartache and sadness that comes with love and deceit. She even manages to transform their hit "Sour Times" into a primal scream therapy session. Certainly didn't see that one coming.

Portishead's live performance isn't impressive - it's completely astonishing. Lovers of the band needn't feel cheated out of a record with new material - PNYC can only re-instill your faith. It should pick up a few new believers along the way, too.